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Baby Give Me All Your Lovin and Kisses on Your Shirt Lyrics

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2012 unmarried by Madonna

2012 unmarried past Madonna featuring Nicki Minaj and One thousand.I.A.

"Give Me All Your Luvin'"
Madonna - Give Me All Your Luvin (single).png
Unmarried by Madonna featuring Nicki Minaj and M.I.A.
from the album MDNA
Released February iii, 2012
Recorded 2011
Studio Sarm West (London)
MSR Studios (New York City)
Genre Dance-pop
Length 3:22
Label Interscope
Songwriter(s)
  • Madonna Ciccone
  • Martin Solveig
  • Onika Maraj
  • Mathangi Arulpragasam
  • Michael Andre Tordjman
Producer(s)
  • Madonna
  • Solveig
Madonna singles chronology
"Revolver"
(2009) 		"Give Me All Your Luvin'"
(2012) 		"Girl Gone Wild"
(2012)
Nicki Minaj singles chronology
"Plough Me On"
(2011) 		"Requite Me All Your Luvin'"
(2012) 		"Starships"
(2012)
M.I.A. singles chronology
"Bad Girls"
(2012) 		"Give Me All Your Luvin'"
(2012) 		"Bring the Noize"
(2013)
Music video
"Requite Me All Your Luvin'" on YouTube

"Give Me All Your Luvin'" is a song by American singer Madonna from her twelfth studio album, MDNA (2012). It features guest vocals by Trinidadian-American rapper Nicki Minaj and English rapper M.I.A. The song was written and produced by Madonna and Martin Solveig, with additional writing by M.I.A., Minaj and Michael Tordjman. After working with Solveig on one song, Madonna connected recording others including "Give Me All Your Luvin'". Madonna chose to work with K.I.A. and Minaj on the track since she felt they were both strong women with unique voices. She likewise liked their music and what they represented.

A demo version of the song, titled "Give Me All Your Love", was leaked on November viii, 2011, resulting in a man from Espana being arrested for copyright violations. The final version of the song was released on February 3, 2012, as the lead single from MDNA. The track was her debut single from her three-album deal with Interscope Records. Backed by bouncing synthesizers, marching drums and a cheer, "Requite Me All Your Luvin'" is a dance-pop vocal, with elements of new wave and disco. Madonna executes the chorus in high-pitched vocals while during its dubstep breakdown, Minaj raps her verse as her change-ego Roman Zolanski, followed by 1000.I.A. rapping her verse.

"Give Me All Your Luvin'" received mixed reviews from music critics. Its chorus was noted as a highlight by critics, who described it every bit catchy; nonetheless, they felt that the musical limerick was inferior to Madonna's previous singles. Commercially, the song attained success, topping the charts in Canada, Finland, Hungary, and State of israel while peaking within the height ten in several European countries. In the United States, it became Madonna's 38th top ten hit on the Billboard Hot 100 chart, extending her record equally the artist with the nigh elevation-ten singles in the chart's history, a record that would be surpassed afterward by Drake in 2020.

The song's accompanying music video featuring both Minaj and G.I.A. was directed past Megaforce. It shows Madonna, Minaj, and One thousand.I.A. along with cheerleaders wearing animegao masks and football players. Madonna first performed the song with Minaj and 1000.I.A. at the Super Basin XLVI halftime evidence. During the functioning, M.I.A. extended her middle finger towards the photographic camera while rapping her verse. She was criticized in the media and broadcaster NBC and the National Football game League (NFL) issued apologies. They also fined the rapper which was resolved through a confidential understanding. Afterward that twelvemonth, Madonna also performed "Give Me All Your Luvin'" on The MDNA Tour, where she wore a majorette outfit.

Background and writing [edit]

In "Give Me All Your Luvin'", Madonna collaborated with rappers Nicki Minaj (left) and M.I.A. (right).

In December 2010, Madonna posted a message on her Facebook, exclaiming: "Its official! I need to motility. I need to sweat. I need to make new music! Music I can trip the light fantastic toe to. I'g on the lookout for the maddest, sickest, nigh badass people to interact with. I'thousand only proverb".[1] Ane of the collaborators was French DJ and producer Martin Solveig, who was invited to a writing session by Madonna in London in July 2011. Originally, Madonna wanted to piece of work with Solveig on i song, simply eventually it turned into three tracks—"Requite Me All Your Luvin'", "I Don't Give A", and "Turn Upwardly the Radio". In an interview with Billboard, Solveig explained that Madonna had enough time for the project, hence after working on i song, they continued recording. Solveig described the sessions equally fun and labeled them a "privileged time".[2]

"Give Me All Your Luvin'" was written by Madonna, Martin Solveig, Nicki Minaj, K.I.A., and Michael Tordjman, while production was helmed past Madonna and Solveig.[3] [iv] Madonna had wanted to work with M.I.A. and Minaj on a song, since she felt that they are both "strong women with a unique voices".[5] She paid tribute to the stars, proverb "[Minaj and G.I.A. are] non conventional pop stars and I really admire them both".[vi] Thou.I.A. confirmed the collaboration on her Twitter account, saying that she had been asked to come up to New York City on November 29, 2011.[vii] [8] The rapper felt that the collaboration was an achievement her mother would be proud of, "mode [more than] than me putting 'Galang' out in a club."[9] [x]

Release and leaks [edit]

On November 8, 2011, a demo version of the song, named "Give Me All Your Honey", was leaked.[eleven] According to Keith Caulfield from Billboard, "Within a few hours, [the song and its leak] was one of the top 10 trending topics worldwide on Twitter."[12] Madonna'south director, Guy Oseary, addressed the leak on Twitter adding the singer's argument on the state of affairs: "My true fans wouldn't do this". Oseary besides clarified that their initial plan was for new music to come up out in 2012 itself. He was happy with the positive reaction to the demo, merely asked fans to help him constabulary any more than leaks.[thirteen] [14] The leaked demo lacked vocals from both Minaj and M.I.A. which Madonna reflected upon, "It'south really disappointing considering you don't want things to come up out till yous're done with them, till y'all're ready. It's like everybody looking at your unfinished painting. Information technology's like, 'Wait a infinitesimal. I didn't end that. That'southward non off-white."[five] [15]

On December 22, 2011, the police arrested a 31-year-old man from Espana who had reportedly leaked the demo. They confirmed the doubtable's initials as J.Thou.R. and described him equally "a large Madonna fan"; they found recordings of the song in his belongings. He was arrested in Zaragoza, charged and subsequently released, pending a trial.[16] [17] It was confirmed by The Huffington Mail that the person did not seek to accomplish a profit from the release.[eighteen] In 2014, several demos from Madonna'southward 13 studio album Rebel Heart leaked and an Israeli hacker named Adi Lederman was arrested: the indictment papers said that Lederman was also responsible for the leak of "Give Me All Your Luvin'".[xix]

A month later on, Interscope Records announced that the song would be released on February 3, 2012, three days earlier she was to perform at the Super Basin XLVI halftime prove.[3] The track was her debut single from her iii-album deal with Interscope Records.[20] Forth with the announcement Madonna revealed the cover fine art for the single. It depicted iii black-and-white images of the singer side-past-side, making faces and posing, while wearing a t-shirt emblazoned with the song title.[21] "Give Me All Your Luvin'" was sent to United States Mainstream radio on February 7, 2012.[22] Madonna partnered with Clear Channel media to launch radio support for the track, and from February iii it was played across 95 Mainstream and Rhythmic radio stations owned by them. The unmarried was besides played in the United Kingdom through Clear Channel'southward partnership with United kingdom of great britain and northern ireland's Capital radio networks. They played the track at the elevation of every hour throughout the day till Feb v, forth with a megamix of songs from MDNA. The unmarried was likewise released for streaming on iHeartRadio websites with online contests and promotional drives for buying it from iTunes.[23]

Recording and limerick [edit]

"Give Me All Your Luvin'" was recorded at MSR Studios, New York Urban center and Sarm West Studios, Notting Loma, London. Demacio "Demo" Castellon recorded and mixed the rails. Philippe Weiss and Graham Archer assisted Castellon on the recording, while Angie Teo assisted on the mixing. Jason "Metal" Donkersgoed did the additional editing of the song and Jean Baptiste Gaudray played guitars.[24] Alongside his producing duty, Solveig likewise arranged the synths and drums for the rails. He recalled that the track was recorded in two days, with Madonna and him continuously discussing the chord progression and the music. The initial version of the song'south breakdown was "as well much" of dubstep, which Madonna asked him to change, while adding Minaj and Yard.I.A.'s rapping over them.[25]

"Give Me All Your Luvin'" is a trip the light fantastic toe-popular song, with elements of new wave and disco.[26] [27] The song starts with a cheer: "L-U-V Madonna, Y-O-U you wanna" with the vocal tone reminiscent off Gwen Stefani'southward unmarried "Hollaback Girl" (2005) and "Mickey" (1982) by Toni Basil.[13] [28] A "polished 60s shakedown" succeeds the dirge, which is backed by bouncing synthesizers and hard drums.[27] Priya Elan of NME said that the limerick resembled Madonna's own songs like "Cute Stranger" (1999), "Astonishing" (2000) and the songs on her studio albums, Ray of Lite (1998) and Hard Candy (2008).[27]

The chorus of the vocal follows, which Madonna performs in a high-pitched voice: "Don't play the stupid game / Crusade I'm a different kind of daughter / Every record sounds the same / You've got to stride into my world / Requite me all your luvin', give me your love / Requite me all your love today." Amusement Weekly 's Lanford Beard observed that the song "blends Katy Perry-meets-Gwen Stefani chanting, echoes of Ashlee Simpson'southward regrettable foray into New Wave-y synth-guitar sounds, and a 'Hold It Confronting Me' redux breakdown."[29] John Mitchell of MTV News commented that the instrumentation of the song consists of "glittery synths, marching band drums, claps and a catchy-equally-hell chorus."[13] Lewis Corner of Digital Spy called the song an "'80s-inspired electro-thumper complete with a cheerleader dirge of 'Fifty-U-V Madonna!'"[30] "Give Me All Your Luvin'" is written in the key of D ♭ major and has a moderately fast tempo of 144 beats per infinitesimal. It follows a basic chord progression of D ♭ –1000 ♭ –A ♭ in the verses, and D ♭ –F ♭ –C ♭ –G ♭ in the chorus and intermediate bridge. Madonna's vocals span from the tonal nodes of C ♭ 4 to A ♭ 4.[31]

After the leak of the song in November 2011, media reported on the similarities between the song and singer Nicola Roberts' "Beat of My Drum", due to the "cheerleader-style" verses in both. "Give Me All Your Luvin'" has the lyrics "L-U-V Madonna" while Roberts track features the lyrics "Fifty.O.V.E/ Dance to the beat of my drum".[32] Presently after, Roberts called Madonna a "copycat" for the declared similarities between the songs. However, she later insisted that people had been "quick to jump the gun" and claimed she had not fifty-fifty heard the vocal.[33] Brazilian music producer Joao Brasil declared that the chorus of "Give Me All Your Luvin'" was plagiarized from his 2011 unmarried "50.O.Five.E Banana". Both songs offset with the shouts of cheerleaders, who in Brazil'south song say "L.O.V.E Banana" and in Madonna's song, "L.U.V. Madonna".[34]

Disquisitional reception [edit]

"Give Me All Your Luvin'" met with more often than not mixed reviews from music critics. Priya Elan from NME said the vocal "seems to soar effortlessly" and that "what Madonna'due south doing in this song is so much more impossibly fun than we could accept imagined." She also stated the song was a progress from the audio of her previous album, Hard Processed.[35] Jim Farber from the New York Daily News considered that the vocal is "a pure snap of bubble gum, closer to an early single similar 'Burning Upward' than any of her more than contempo club hits. Just the rap cameos from the quite camp Nicki Minaj, and the less so Grand.I.A., tell u.s. what decade we're in."[36] Michael Cragg from The Guardian felt that the rails was bang-up. "Musically it's a pretty blithesome four minutes, featuring bouncing beats, acoustic riffs and Gwen Stefani-style cheerleader chants, merely at that place's something a chip flat about Madonna's delivery. Given all the honey she's demanding, you'd think she'd be more excited." Speaking of the rap office, he thought that "Minaj certainly does her best, her typically frantic rap an exercise in squeezing as many words into a 10-second space as possible, while MIA'southward more laconic drawl loses momentum."[37] Chris Willman of Reuters called information technology "risible" and infectious: "Everything here is every bit dumb as the titular spelling, just the campiness has its charm, at least if you similar the old musicals that some of the tracking shots here are paying homage to".[38] Medium'due south Richard LaBeau dismissed it as an "age-inappropriate ditty, which unnecessarily incorporates cheerleaders, a marching ring, and raps".[39] MTV News journalist Bradley Stern wrote most the "Hey Mickey" comparisons, complimenting the guest rapping of Minaj and M.I.A. even though he felt it was "one of the anthology's least compelling moments".[40] In a review of MDNA, Neil McCormick of The Daily Telegraph felt that the prime number purpose of the "lightest, frothiest track" from the album was to represent adjacent generation'southward female person pop stars.[41] Emily Mackay of The Quietus wrote in detail about the vocal:

Afterward the showtime play of this album, I sabbatum down and had a hard call up about which of those songs I'd want to play once more first. The just one that stuck in the caput about was 'Give Me All Your Luvin'', whose cheerleader chants and thrumming rhythm are kind of excruciating, just at least catchy. Minaj and M.I.A. are as effortlessly awesome as they can both be when limited to just a few lines. Say what y'all like about Maya, merely she sounds a bargain more than plausible that Madonna herself on a line like 'Imma say this one time, hey I don't give a shit'... Oddly, for a single then tame, Madonna seems to see it equally a challenge 'Every record sounds the same, you've got to step into my world'? Nosotros're already in your bloody world! It was kind of your responsibility to pace out of information technology and make a record that didn't sound the same, so don't bloody badger us nearly it.[42]

Andrew Hampp from Billboard negatively reviewed the signing of Minaj and M.I.A. as guest artists, adding that "Information technology's a subpar attempt from all parties, peculiarly Madonna, who hasn't sounded this robotic since the more tweaked-out moments on Hard Candy."[43] In some other review, Keith Caulfield from the same mag accounted the rail as a commercial for Madonna'southward Super Basin advent, rather than being a promotional tool for MDNA, criticizing it for misleading the listener about the vibe of the album.[44] Gareth Grundy from The Guardian shared this view, while describing the track equally "clumsy rave-pop".[45] Jody Rosen of Rolling Stone rated information technology 2 out of five stars, describing its lyrics and composition as "dashed off" and "in the doldrums", and was displeased by the track'due south "ambitious, assaultive spunkiness".[28] Sal Cinquemani from Camber Mag described the song as "decidedly vapid" and "catchy" simply as well stated that "its few charms—'60s surf-popular guitar, vintage video-game furnishings, and references to her past songs—are fleeting at all-time." He felt that Minaj and Yard.I.A. were "tacked on for added marketability" and that the song actually lacked "authenticity".[46] While reviewing MDNA, The New York Times ' critic Jon Pareles described the vocal every bit "i of the anthology'due south weakest tracks".[47] Joey Guerra from the Houston Chronicle wrote that the song'southward "shiny-happy" sound is "nowhere nigh representative of the full anthology."[48]

Alexis Petridis from The Guardian listed the song as the weakest effort on MDNA, adding that "its position every bit the album'southward atomic number 82 single seems to have had more to do with showing off the presence of Nicki Minaj and M.I.A. than its featherweight melody."[49] A author for Virgin Media gave the song three out of five stars, writing: "Like virtually Madonna singles, information technology skips along at a furious step with a gleam in its eye, simply the self-references go tiresome and ultimately she is just trying too hard."[50] Nick Levine, writing for The National, relegated the track as a "lighter pop morsel".[51] Matthew Parpetua from Pitchfork Media panned the song, saying that Solveig's product on the track was paired with equally "bland lyrics".[52] Brad O'Mancey from Popjustice declared that the rails was "proof that sometimes you tin can listen to something many, many times and still non have any thought whether it's any proficient or non."[53] Chicago Tribune journalist Greg Kot was disappointed with the song and its lyrics, which he found to be meaningless,[54] while Bernard Zuel of The Sydney Morning time Herald relegated it equally "trite and disposable".[55] Alex Macpherson from Fact found the vocal to be "sheer misconceived awfulness".[56] Jude Rogers from The Guardian criticized its "unforgivable spelling" and pointed out that the "candy-pop chorus actually fizzes, merely [Minaj and M.I.A.'south] cheerleading whoops and raps quickly deliquesce". She placed the song at number 66 on her ranking of Madonna'due south singles, in laurels of her 60th birthday.[57] In August 2018, Billboard picked it as the singer's 95th greatest unmarried; "[Madonna's] undeniably the team captain on this surf-rock-inspired workout, just her collaborators deserve a big give thanks Y-O-U for providing the catchiest role of the song with their cheerleader chants".[58]

Nautical chart operation [edit]

The performance of "Give Me All Your Luvin'" during The MDNA Tour, featuring Madonna dressed up in a majorette's costume and a drumline suspended in mid-air.

In the United States, "Requite Me All Your Luvin'" was played from nine am on February 3, 2012 by Clear Aqueduct radio stations. It debuted at number 24 on the Billboard Mainstream Top 40 chart, with weekly accumulation of 2,766 plays (Clear Aqueduct accumulated for 79% of those plays). It was Madonna's 7th elevation-25 debut on the chart, the most since its inception in 1992. Along with the debut on Mainstream Top 40, "Give Me All Your Luvin'" also debuted at number 33 on the Rhythmic airplay, number 35 on Developed Top 40 and number 20 on Dance/Mix Prove Airplay chart.[59] "Give Me All Your Luvin'" debuted at number seven on the Hot Digital Songs chart selling 115,000 copies, the amount sold in the first three days of its availability and end of Billboard 's tracking week.[60] It consequently debuted at number 13 on the Billboard Hot 100 with 44 million total radio airplay.[61] Following the performance at the Super Basin XLVI halftime evidence, digital downloads for the song increased by 44% the side by side week to 165,000 copies, and the vocal reached number 10 on the Hot 100. Information technology became Madonna's first pinnacle-x single since "4 Minutes" (2008) and was her 38th song to accomplish the elevation-ten, thereby extending her record as the artist with the nearly top-10 songs on the Hot 100.[62] The record would remain until Drake's "Greece" and "Popstar", with DJ Khaled, bankrupt the record in 2020, becoming his 39th and 40th Hot 100 top ten entries. The song plummeted to number 39 the next week as the promotional furnishings of the Super Bowl wore off.[63] With the release of "Give Me All Your Luvin'", Madonna tied with Dionne Warwick for amassing the 2d highest number (56) of Billboard Hot 100 entries by female artists, but behind Aretha Franklin who had 73 entries.[64] Madonna also extended her tape as the artist with the well-nigh number-one songs on the Dance Club Songs nautical chart, when "Give Me All Your Luvin'" became her 41st vocal to top it.[65] In June 2012, the vocal was certified gold by the Recording Industry Association of America (RIAA), for sales of more than than 500,000 copies.[66]

In Canada, the song debuted at number 11 on the Canadian Hot 100 for event date of Feb ten, 2012. The adjacent week, the vocal jumped to number 1, becoming both greatest digital and airplay gainer of the week. The song also reached number 1 on the Digital Songs nautical chart, with a 76% download increase to 24,000 copies, and number x on the Hot 100 Airplay nautical chart with a 143% audience increase to over fourteen 1000000. It became Madonna'southward 25th number-ane hit in Canada and her 2nd nautical chart-topper in the Hot 100 era afterwards "4 Minutes".[67] In Japan, the song debuted at number 42 on the Nippon Hot 100, and moved to a summit of number 3 after two weeks.[43] "Give Me All Your Luvin'" had low nautical chart placement in Australia, where the vocal debuted at its peak of number 25 for the outcome dated February xix, 2012, before falling out of the chart from number 44 the next week.[68] Similarly, in New Zealand, the song debuted and peaked at number 26 for merely i calendar week.[69]

In the U.k., the vocal peaked at number 37 on the UK Singles Chart with sales of 8,577 copies, condign Madonna'southward 67th entry on the chart.[70] The low sales were due to two days worth of download sales being discounted by the Official Charts Company as a result of a promotional offer that allowed the vocal to be downloaded for free if pre-ordering the anthology MDNA. It resulted in her worst performance for a lead single since "Everybody" (1982).[71] [72] The song dropped down to number 51 the next calendar week, selling a further 7,070 copies merely climbed to a peak of number 12 on the UK Airplay Chart.[73] [74] With the release of the CD single, "Requite Me All Your Luvin'" sold a further 1,460 copies reaching number two on the Uk Physical Singles nautical chart.[75] "Give Me All Your Luvin'" debuted atop the charts in Finland, just it quickly dropped off within three weeks.[76] In Italia, the vocal peaked at number two and was certified platinum by the Federation of the Italian Music Industry (FIMI) for shipment of 30,000 copies of the single.[77] [78] "Give Me All Your Luvin'" debuted at number iv on the French Singles Nautical chart and jumped to its peak of number 3 the side by side calendar week. It was present on the nautical chart for 21 weeks.[79] The song peaked within the top ten in Belgium, Germany, Netherlands, Espana and Switzerland, reaching a meridian of number seven on Billboard 'south Euro Digital Songs chart.[43] [80]

Music video [edit]

Background [edit]

On Dec viii, 2011, Minaj tweeted that she was on fix with Madonna filming the music video for "Requite Me All Your Luvin".[81] She likewise said that Madonna kissed her on the lips, as a gift for her birthday. M.I.A. then tweeted well-nigh filming the video with Madonna, maxim, "Madonna killed information technology! A legend! said she'd take me, I said ill take her too".[82] Directed past the team Megaforce—which consists of Léo Berne, Charles Brisgand, Raphaël Rodriguez and Clément Gallet—the video has a football and cheerleader theme, inspired by her then-upcoming Super Bowl halftime functioning.[3] Rodriguez explained to MTV News that they discussed the song with Solveig and understood that the video should be "about happiness and something really sunny". The whole look was also dictated past the fact that Megaforce had never collaborated with Madonna, Minaj and M.I.A., feeling that it was a "different universe" for them.[83] The video was shot for over two days in New York, with very strict timings which Megaforce found equally challenging.[84] Describing the process as similar working with the Primal Intelligence Agency (CIA), Megaforce told Swedish paper 20 minutes that the fix was surrounded by police force patrol and security guards and mobile phones were non immune. A total budget of US$1.5 one thousand thousand was allotted for the video. Some of the sequences in the video was Madonna's thought similar one scene featuring her dancing in front of a wall, which Megaforce felt would not go with the master narrative. However, the singer insisted on keeping information technology and by the second day of filming she wrapped up early on and left.[85]

Retouching was applied during post-product where Minaj wanted her trunk to wait similar a plastic doll.[85] Production for the music video was handled by US based company Bureau and Uk based Riff Raff Films. Paris based visual effects, blitheness and motion design studio Mathematic was given the chore of adding the graphics on the video. A squad of 14 artists worked for two weeks in Paris to finish the task, accompanied by Megaforce. Unlike methods used included rotoscoping and keying for creating bogus fireworks and sparkling rain, 3D and second backgrounds, set-extensions, buildings, as well as the sky which they created using Autodesk Maya.[86] Costumes worn in the video included Adidas uniforms for Minaj and M.I.A. and a retro inspired look for a sequence, wearing white lace dresses reminiscent of Madonna's look in her 20s, too as Marilyn Monroe.[87] Another ensemble for Madonna included a ingather pinnacle, leopard printed bra and a huge cross across her neck.[87] Dress designer for the video was Arianne Phillips with cloths provided by brands similar Burberry, Dolce & Gabbana, Bebe, Norma Kamali and jewelry from Swarovski, vintage Yves Saint Laurent, Prada and Eddie Borgo.[88] [89]

Release and synopsis [edit]

A screenshot of the music video of "Requite Me All Your Luvin'" which shows Minaj (left), Madonna (heart) and M.I.A. (right) equally the "triple Marilyn or triple Madonna" like figures. The costume was also compared to the singer's await for her "Similar a Virgin" video.

Madonna had kickoff previewed the video in an American Idol exclusive on February 2, 2012, and the full video premiered the next 24-hour interval on her YouTube channel.[3] The video starts every bit the words "Fans tin can make y'all famous, a contract can make you rich, the press can make you a superstar, but only luv [sic] can make you a actor" appear on a brick wall.[87] Cheerleaders M.I.A. and Minaj then sing the opening lyrics in a suburban neighborhood alongside other cheerleaders wearing animegao masks. Madonna sings the first verse as she exits a business firm with a baby stroller and wears a trench coat and sunglasses, all of which are soon discarded. Emerging football game players protect her from obstacles, golden raindrops and destroy a machine that gets in her style. They concur her perpendicular to a wall and she walks horizontally.[87] Throughout the video, Madonna tin be seen dancing and singing in front end of a brick wall, and in one scene she holds a baby doll.

During the second poesy, Madonna walks across the metropolis with M.I.A. and Minaj and is yet followed by cheerleaders and football players. She walks down a city street, as players are shot down by an unseen shooter who opens fire from a passing vehicle. She climbs a pyramid of football players and is eventually taken to a club with Minaj and G.I.A., who sing their parts in a room filled with other cheerleaders and football players. Madonna then falls from the building just 2 players catch her. She makes her fashion to a town square, then starts dancing with her cheerleaders as they bash heads off of football game players using baseball bats, revealing a climactic firework spectacle. Madonna grabs one of the heads and proudly displays it to a cheering audience. The video ends with Madonna in forepart of a brick wall, laughing and throwing abroad the baby doll, as the word "Touchdown!" appears in front of a pink backdrop.

Reception [edit]

Writing for Spin Caryn Ganz was pleased past the video, saying "[Madonna's] endeavor to notice a bridge between sports, love, and fame falls a bit apartment... only in the end, the football players and cheerleaders in the video are all literally faceless passersby. They, similar the ii high-contour MCs, are all here in service of [the singer]."[90] Becky Bain Idolator plant a number of topics to discuss nearly the video, including play a joke on photography, golden rains and the appearance of the singers equally "triple Marilyn or triple Madonna". Though she believed that it was not Madonna's all-time video, nevertheless it was successful as a release.[91] Christopher Farley from The Washington Post gave some other positive review, saying that the singer "appears to exist in better shape than many college students, which is crazy" and also complimented her for picking "Yard.I.A. and Nicki Minaj–and getting them to literally serve as cheerleaders for the Madonna brand."[92] MTV News' Jocelyn Vena described it as "funky, fun and surreal (and about cartoony)" as well as fun and light-hearted: "Madonna looks like she'due south having an incredibly fun time throughout the visual, smiling and shimmying her way through this fictional, hyper-fantasy world. Watching the clip, ane may wonder what doesn't happen in the video."[93]

Nicole James from MTV News opined that the video gave another impression that although "Madonna's never been the beautiful and innocent homecoming queen, but those wholesome, all-American football players still wanna kick it with her."[94] Cragg from The Guardian declared the video as a "hoot" with the "creepy cheerleaders and Madonna breastfeeding a doll".[37] Bradley Stern from MuuMuse found similarities in the video with those of singer Björk's video for "It'south Oh So Tranquility" (1995) and Kylie Minogue's "Come up into My Earth" (2002) with the "walk-talk and walk-clamber" formula in information technology. He added that the video is "self-aware, thoroughly modernistic, cheeky, sarcastic, glamorous and entirely camp all at the same time".[95] Chris Wilman from TheWrap noted similarities to Madonna'due south own "Material Girl" (1985) video with the scenes showing her being carried off by the footballers, adding that "everything hither is as dumb every bit the titular spelling, merely the campiness has its charm, at least if you like the old musicals that some of the tracking shots here are paying homage to."[96]

A writer from Rolling Stone gave a mixed review for the video saying that "It's a goofy and fun clip, though the faceless cheerleaders in the background are more creepy than agreeable."[97] In a pre-release screening of MDNA, Matthew Todd from Mental attitude believed that the last scene showing Madonna throwing off a baby doll implied that she was moving abroad from domestic life and embracing a party mental attitude.[98] Amanda Dobbins from New York found some "attempted weirdness" in the video with the scenes of the triple Marilyns and the baby on Madonna's lap, but added that "Madonna still looks crazy bonkers good".[99]

Live performances [edit]

Madonna performing the song with Thou.I.A. and Nicki Minaj (in front) during the Super Bowl XLVI halftime show.

In February 2012, Madonna performed "Give Me All Your Luvin'" with M.I.A. and Nicki Minaj at the Super Basin XLVI halftime bear witness at Lucas Oil Stadium in Indianapolis, Indiana.[100] Madonna collaborated with Cirque du Soleil in producing the show. 36 image projectors were utilized to create a spectacle of lights. The whole performance consisted of 500 total outfits including customized looks for musical guests LMFAO, Minaj, One thousand.I.A. and Green equally well equally costumes for 100 drum line performers, 150 gladiators—who wore pairs of black underwear designed by Calvin Klein—and 200 choir singers.[101] Equally the performance of "Music" ended, a group of female dancers in cheerleader uniforms joined Madonna onstage for performing "Give Me All Your Luvin'". Minaj and M.I.A. joined her onstage, both dressed in Egyptian inspired clothing.[102] Together they danced as cheerleaders while holding pom-poms. During the intermediate department, all iii of them stood on separate elevated platforms where Minaj and M.I.A. performed their respective verses.[103]

The performance gained widespread attention from the media after Yard.I.A. extended her middle finger to the camera nigh the end of her verse instead of singing the word "shit".[100] [104] Media criticized 1000.I.A. for the gesture and compared the incident to Janet Jackson's 2004 wardrobe malfunction. People said, "Call it a finger malfunction? Madonna was supposed to be the centre of attention during the Super Basin halftime show Sunday, but the Queen of Pop was upstaged by her collaborator Chiliad.I.A., who flipped off the camera at ane indicate during the operation, prompting swift apologies from the NFL and NBC."[105] [106] [107] Madonna herself expressed her disappointment during an interview with host Ryan Seacrest on his talk show, On Air with Ryan Seacrest. She felt that it was a "teenager... irrelevant thing" for M.I.A. to do during the show since it was "out of identify".[108] Brian McCarthy, spokesman for the NFL said, "Our system was tardily to obscure the inappropriate gesture and we apologize to our viewers. The NFL hired the talent and produced the halftime testify. There was a failure in NBC'south delay system. The obscene gesture in the performance was completely inappropriate, very disappointing, and we apologize to our fans." McCarthy besides antiseptic that the gesture was non revealed during rehearsals, 1000.I.A. improvised information technology on phase.[109] The league later fined the rapper a full of $16.6 million equally penalization, which was resolved through a confidential agreement in 2014.[110]

Madonna as well performed "Give Me All Your Luvin'" the same year on The MDNA Bout. After the performance of "Express Yourself" concluded, she began performing "Give Me All Your Luvin'" dressed every bit a drum majorette in a white-and-crimson uniform with tall white boots. Phillips explained that the ensemble was created and inspired by a 1940s majorette expect, and she added Swarovski crystals to the dress.[111] Madonna sang the song on stage while a drumline was suspended in mid-air, and Thou.I.A. and Minaj appeared on the video screen. Caryn Ganz from Spin called the operation equally the "night's most innovative moment" while Brian McManus from Rolling Rock was impressed with the drumline levitation on superlative of the stage.[112] [113] Niv Elis from The Jerusalem Postal service declared the performance equally one of the show'southward "wow" moments.[114] The November nineteen–xx, 2012, performance of "Requite Me All Your Luvin'" at Miami's American Airlines Loonshit, was recorded and released in Madonna's fourth live album, MDNA World Bout.[115] [116]

Track listings and formats [edit]

Credits and personnel [edit]

Direction [edit]

  • Recorded at MSR Studios, New York City and Sarm Due west Studios, Notting Hill, London
  • Nicki Minaj Appears Courtesy of Young Money Entertainment/Cash Money Records | One thousand.I.A. Appears Courtesy of Interscope Records
  • Webo Girl Publishing, Inc. (ASCAP), EMI Music Publishing France (SACEM), Money Mack Music/Harajuku Barbie Music, adm. by Songs of Universal, Inc. (BMI), Due north.Due east.E.T. Noise/Imagem Music (PRS)

Personnel [edit]

  • Madonna Ciccone – author, singer and record producer
  • Martin Solveig – writer, tape producer, synths, drums
  • Onika Maraj – author, vocaliser
  • Maya Arulpragasam – writer, vocaliser
  • Michael Tordjman – writer
  • Demacio "Demo" Castellon – recording, mixing
  • Philippe Weiss – recording banana
  • Graham Archer – recording assistant
  • Jason "Metallic" Donkersgoed – additional editing
  • Jean Baptiste Gaudray – guitars
  • Angie Teo – mixing assistant
  • LMFAO – remixing, boosted production

Credits and personnel adjusted from MDNA album liner notes.[24]

Charts [edit]

Certifications and sales [edit]

Release history [edit]

See also [edit]

  • List of most expensive music videos
  • List of Billboard Trip the light fantastic Club Songs number ones of 2015
  • Listing of Billboard Hot 100 top-ten singles in 2012
  • List of Canadian Hot 100 number-one singles of 2012
  • List of number-ane digital songs of 2012 (Canada)
  • List of number-one popular hits of 2012 (Brazil)
  • List of number-one singles of 2012 (Finland)
  • List of top 10 singles in 2012 (France)

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External links [edit]

  • "Requite Me All Your Luvin'" (Backside the scenes) on YouTube
  • Madonna – MDNA Teaser, Recording "Give Me All Your Luvin'" on YouTube

perezthemn1990.blogspot.com

Source: https://en.wikipedia.org/wiki/Give_Me_All_Your_Luvin%27

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